Full record for gadget story n.

Definition a story where the primary focus is on inventions or the process of inventing
OED requirements antedating 1942
Earliest cite 'H.H. Holmes', 'Rocket to the Morgue'
Comment Fred Galvin submitted a 1959 cite from Robert A. Heinlein in "The Science Fiction Novel". Fred Galvin submitted a 1948 cite from a letter by Marion "Astra" Zimmer in Startling Stories. Fred Galvin submitted a cite from a 1975 reprint of "H. H. Holmes's" "Rocket to the Morgue"; Steve & Denise Hight verified this in the 1942 first edition (H.H Holmes was a pseudonym of William Anthony Parker White aka 'Anthony Boucher') Fred Galvin submitted a 1982 cite from Jack Vance's "Lost Moons". Fred Galvin submitted a 1953 cite from L. Sprague de Camp's "Science-Fiction Handbook". Fred Galvin submitted a 1951 cite from a review by Groff Conklin in Galaxy.

In addition to antedatings, we would like cites from after 1982.

Last modified 10 December, 2008

Citations for gadget story n.

click here for more information about the citation list

1942 ‘H. H. Holmes’ Rocket to Morgue 51 The gadget stories were more interesting. They frequently made honest attempts at forecasting scientific developments. Atomic power, stratosphere exploration, the rocket flight that so absorbs Chantrelle, all the features that may revolutionize the second half of this century as thoroughly as radio and the airplane have transformed this half—all these became familiar, workable things. But the writers stopped there. Interest lay in the gadget itself. And science fiction was headed for a blind alley until the realization came that even science fiction must remain fiction, and fiction is basically about people, not subatomic blasters nor time warps.
1948 M. Zimmer letter in Startling Stories Sept. 126/1 May I leave you with a plea for more fantasy, more space-and-interplanetary tales, more humor and less ‘gadget’ and ‘surprise twist’ stories.
1951 G. Conklin Galaxy's Five Star Shelf in Galaxy Sci. Fiction July 119/1 Ted Sturgeon's well-done but minor Memory, very much a gadget story of a sort I did not know T. S. ever wrote; Sam Merwin's Exiled from Earth, dug from his earliest literary strata; Leigh Brackett's Retreat to the Stars, one of those Adam and Eve re-creations that I find unconvincing whenever they turn up; and Henry Kutner's funny but drastically unimportant and non-science fiction Voice of the Lobster.
1951 ‘H. H. Holmes’ Rocket to Morgue 54 The gadget stories were more interesting. They frequently made honest attempts at forecasting scientific developments. Atomic power, stratosphere exploration, the rocket flight that so absorbs Chantrelle, all the features that may revolutionize the second half of this century as thoroughly as radio and the airplane have transformed this half—all these became familiar, workable things. But the writers stopped there. Interest lay in the gadget itself. And science fiction was headed for a blind alley until the realization came that even science fiction must remain fiction, and fiction is basically about people, not subatomic blasters nor time warps.
1953 L. S. de Camp Sci.-Fiction Handbook 225 Several people have undertaken to classify imaginative stories. Heinlein did so on the basis of the story's interest into gadget-stories and human-interest stories, and then further subdivided the latter into three plot-types: Boy-meets-Girl, the Little Tailor, and the Man Who Learned Better.
1959 R. Heinlein Sci. Fiction in Sci. Fiction Novel 20 This indispensable three-fold awareness does not limit the science fiction author to stories about science—he need not write a gadget story; indeed a gadget story would not be science fiction under this definition if the author failed in this three-fold awareness.
1982 J. Vance Lost Moons 11 Specifically, in regard to the stories: THE WORLD-THINKER is my first published story. DREAM CASTLES, SABOTAGE ON SULFUR PLANET, POTTERS OF FIRSK (with its smarmy ending) came while I was trying to produce gadget stories.